A year on from the death of friend and collaborator, Merle Haggard, Willie Nelson pays tribute with ‘He Won’t Ever Be Gone’, the closing track on God’s Problem Child. The passing of time and mortality rears its inevitable head on a number of the album’s songs. ‘Old Timer’ and the black humour of ‘Still Not … Continue reading
Shapeshifting songwriter Daniel Romano has covered wide stylistic ground, from his post-hardcore band Attack in Black through to his run of top-notch solo albums that take in classic country, folk and psychedelic variations of the aforementioned. Now with Modern Pressure he’s consolidated his sound, corralling all those Americana variations into his consistently best album to … Continue reading
John Moreland has been one of those best-kept secrets for a while now, slowly emerging as a highly respected songwriter on the alt-country/Americana scene. He’s never had a breakout single or any landmark moment, rather he’s slowly refined and improved his craft, garnering increasing critical acclaim and a growing fanbase. Big Bad Luv finds him … Continue reading
The brothers are back with another album of bluegrass, folk and country music in their laconic, easy-going style. At times the songs themselves dip into bland and cliched lyrical territory but if you can get past that, take a long drive or kick back on a sunny afternoon and relish the exceptional musicianship on display. … Continue reading
In the space of his last two albums Jason Isbell’s status has rocketed from ex-Drive-By Trucker and respected songwriter to Grammy and Americana Association awards winner and one of the most acclaimed of this generation’s Americana/country artists, alongside Sturgill Simpson and Chris Stapleton. The Nashville Sound is a re-framing of Isbell, with his long-serving band … Continue reading
Since those heady early days when Mellencamp was touted by record labels as the heartland rock, pinup boy Johnny Cougar, through to his eventual reshaping into his true self, the strength of his songwriting has always been consistent. Now, with his 23rd studio album, Mellencamp again shows his range and canny ability to draw on … Continue reading
Though Shane Nicholson is now firmly entrenched in Australian country music, with awards aplenty, he’s shown over his strong run of solo albums that he can still maintain a foot in the indie scene in which he forged his songwriting abilities. That positioning has enabled him to straddle alt-country and commercial country with equal aplomb. … Continue reading
Two years after the release of his bestselling, award winning solo debut, Traveller, Stapleton returns with an album that in some ways feels like a retreat from the large stages and mainstream acclaim he received. Shacking up in Nashville’s RCA Studio A with producer and guitarist Brent Cobb, Stapleton recorded two album’s worth of songs. … Continue reading
Pokey LaFarge has always been tagged as an authentic revivalist, from his music to the way he dresses. He’s still cutting a fine sartorial look but on Manic Revelations he’s sounding more contemporary than ever. LaFarge skill is seamlessly melding the cornerstones of roots music – from country and blues to soul, New Orleans jazz … Continue reading
By now Justin Townes Earle has released enough albums and developed his songwriting to the extent where he’s found his own distinct corner of the country music world. He’s developed an identifiable sound, particularly in the effortless swing he places in his music and the way he delivers his lyrics – that fluid and melodious, … Continue reading
The Sydney quartet take a slick approach on their debut album which finds them blending folk harmonies with the retro-tinged indie pop of acts such as Jenny Lewis and Neko Case. Fleshing out their live sound with a fuller band one was a wise move. It gives the songs a greater depth and a lush … Continue reading
Sydney songwriter Taryn La Fauci takes a restrained and intimate approach on her debut album Cycling. She lays herself – her thoughts and emotions – bare on ten songs that have a folk feel in the acoustic instrumentation, paired with a classic singer/songwriter mood. Nothing threatens, with soft electric guitar shimmers, shuffling drums and a … Continue reading
If Aldous Harding’s debut album was her introduction – a musical germination – then Party is her blossoming. It’s a glorious shift from sombre introspection to expansive exultation, an artist having the tools and confidence to fully realise her thoughts and ideas without losing an ounce of the essence that defines her creativity. The first … Continue reading
The driving force behind The Singing Skies is Sydney songwriter Kell Derrig-Hall, who has previously worked with Melodie Nelson and Moonmilk. This is his second album as The Singing Skies and it’s quite the immersive, mesmerising and atmospheric listening experience. Evocative moods via a lush and swooning sonic palette afford Derrig the ability to paint … Continue reading
Album number three for Melbourne’s Raised By Eagles and a further refinement of their lush, wistful and yearning country rock. Ironing out some of the creases of their earlier releases has resulted in a unified sound across the songs which are mostly only a few shades either side of mid-tempo. So much of it floats … Continue reading
POST TO WIRE 